UNPOPPED CINEMA'S TOP 25 BEST DISCS OF 2019

Even though industry giant Samsung decided to halt the production of their 4K Blu-ray players in the U.S. earlier this year, this rather worrying bit of news hasn’t caused any number of dedicated independent Blu-ray companies to slow down even a little bit. Labels such as Arrow Video, Code Red, The Criterion Collection, Eureka Entertainment, Grindhouse Releasing, Kino Lorber, Mondo Macabro, Scorpion Releasing, Severin Films, Twilight Time and Vinegar Syndrome continue to supply home video connoisseurs with a seemingly endless array of lovingly-restored studio catalogue pictures, forgotten and/or previously-unreleased films, most of which are lavishly-packaged, and in many cases, instantly collectible.  In fact, 2019 has seen so much new stuff released that it’s nigh-on-impossible to even try keeping up with ’em all! It must be said, though, that, as much as I enjoy putting these lists together, this incredible—and seemingly ever-increasing—volume of output makes it increasingly difficult for me to compile a thorough list without leaving something out; which may confound, frustrate or even annoy some especially voracious film fans out there as they peruse and contemplate my selections. But that’s half the fun, isn’t it?! So without further ado, let’s take a look at the notable 2019 Blu-ray releases below (presented in the order of their respective release dates), which amount to a mere fraction of this year’s long list of highlights, all of which come highly recommended, of course.

MIKEY AND NICKY [1976] (Criterion Collection) – Despite the absence of director Elaine May in Criterion’s otherwise superb Blu-ray (she did, however, supervise the 4K transfer), this still remains a most welcome release of what is perhaps her best film. John Cassavetes stars as Nicky, a low-level hood who has become entangled in the theft of some money from a mob-controlled bank and, when he hears that his accomplice was recently killed, he calls on his friend Mikey (Peter Falk) to help him out. Meticulously-scripted, with astonishing performances from both Cassavetes and Falk, May’s film is both a gangster film and a comedy like no other. While not for everyone, if you can succumb to the film’s unique rhythm, you’re sure to be generously rewarded by this unheralded and criminally-underseen film, one which fully deserves to be part of the Criterion family.

ALL OF THE COLORS OF THE DARK [1972] (Severin Films) – Sergio Martino’s fascinating psychedelic giallo whodunit, starring the inimitable trifecta of Edwige Fenech, George Hilton and Ivan Rassimov, remains one of the pinnacles of the genre, and this wonderful release from Severin Films finally does the film proud. It features the best transfer to date, along with a number of worthwhile extras (including a thoroughly-researched audio commentary from Diabolique’s Kat Ellinger), but, in a thoughtful bit of comprehensiveness, Severin have also included both the film’s alternate U.S. release version of the film and Bruno Nicolai’s complete 29-track score as a standalone CD. And for you hardcore collectors out there, Severin’s Dual Slipcase Edition also includes Federico Caddeo’s feature-length documentary ALL THE COLORS OF GIALLO (2019), which is housed in a staggering, extras-filled 3-disc set that also includes Giallothon, a four-hour (!) giallo trailer compilation (with optional audio commentary by Kat Ellinger once again!) as well as Kriminal! an additional trailer compilation, this time devoted to German Krimi films (whose influence on the Italian thriller genre is undeniable). Finally, The Strange Sounds of Blood Stained Films is yet another soundtrack CD, this one featuring 20 cues from several famed composers, highlighting their work within the genre. Whichever edition you opt for, both are as prestigious as the film itself. Highly recommended!

THE POSSESSED [1965] (Arrow Video) – Much like his later and equally stunning gialli THE FIFTH CORD (1971) and the extraordinary FOOTPRINTS ON THE MOON (1975), Luigi Bazzoni’s directorial debut is another mesmerizing, beautifully-photographed effort, which looks totally picture-perfect on Arrow’s new disc. On the extras front, Tim Lucas provides another one of his comprehensive, must-listen audio commentaries, wherein he reveals everything from the film’s production to the real-life crimes that inspired it. The disc also includes a number of featurettes about the film itself, along with coverage of the talented and hugely-undervalued filmmaking brothers Luigi and Camillo Bazzoni. Read review.

SCREAMS OF A WINTER NIGHT [1979] (Code Red) – Finally unearthed from the VHS graveyard, James L. Wilson’s ambitious regionally-produced horror anthology finally arrived on disc in grand style in an edition that not only featured a (quote) “brand new 2K scan of the original 16mm A/B roll camera negative”, but includes the never-before-seen 118m director’s cut as well! The results of this snazzy new transfer are quite spectacular, and this drastic improvement in picture quality will come as a real revelation to anyone accustomed to the murky old pan-and-scanned VHS tape. The vastly-improved image goes a looong way in helping viewers to better appreciate SOAWN’s eerie atmosphere, and improves on the somewhat troublesome day-for-night photography seen in previous versions. As an added bonus, the disc also comes with the truncated 91m theatrical version, which was taken from a suitably worn print and, by simple contrast, makes you better appreciate the truly excellent restoration work done by Code Red here. Read review. 

DETOUR [1945] (Criterion Collection) – Edgar G. Ulmer’s inspired bit of gritty low-budget noir filmmaking gains a lot of much-deserved extra respect via Criterion’s essential new Blu-ray. Utilizing prints from various different sources, Mike Pogorzelski and Heather Linville endured many hours of painstakingly complicated repair work, but their obsessive tenacity paid off handsomely with this incredible restoration. Criterion have also included a number of wonderful special features, including Edgar G. Ulmer: A Man Off-Screen, a feature-length documentary from 2004 about this legendary albeit woefully underappreciated director, who frequently worked wonders on lowest-of-the-low budgets. 

THE DEVIL’S NIGHTMARE [1971] (Mondo Macabro) – In spite of being one of the very first Euro horrors to attain a domestic DVD release way back in 1998 (courtesy of Redemption Films and Image Entertainment), Jean Brismée’s contemporaneously-set Gothic horror continued to be a public domain eyesore on digital disc for years thereafter, a fact which makes MM’s official Blu-ray debut all the more exciting and rewarding. Punctuated by André Goeffers’striking camerawork and Alessandro Alessandroni’s unforgettable music score, THE DEVIL’S NIGHTMARE is still best-remembered for Eurotrash cinema goddess Erika Blanc’s minimalistic if memorably sinister performance, for which the actress accomplishes so much with so little. It goes without saying that MM’s transfer improves mightily upon any and all previous versions but, besides the plentiful extras (including an entertaining audio commentary by Troy Howarth), MM have seen fit to include the film’s original French-language audio track with newly-translated English subtitles, which also makes for a far-more-satisfying viewing experience. Of course, MM’s initial Limited ‘Red Case’ Edition has since sold out, but the retail version contains the exact same extras (minus a 10-page liner notes booklet and some lobby card reproductions). Read review. 

BLOOD HUNGER: THE FILMS OF JOSÉ RAMÓN LARRAZ [1970 – 1978] (Arrow Video) – Spanish director José Ramón Larraz is likely best-known on these shores for his wild and excessively bloody lesbian vampire tour de force VAMPYRES (1974), but his lengthy filmography has revealed a number other mini-masterpieces, such as SYMPTOMS (1974) and his long-unseen WHIRLPOOL (1970), which has finally—and officially—resurfaced in this superb box set. The definitive highlight of Arrow’s set, WHIRLPOOL firmly established many of the director’s themes and obsessions, including bleak, oppressive atmosphere punctuated by some (for the time, at least) startlingly brutal moments of violence. Utilizing the film’s U.S. release version as prepared by Jerry Gross’ Cinemation Industries, Arrow’s transfer really brings out the film’s aesthetic qualities, and this comes as a real revelation to not only fans of Larraz’s work but to Euro horror buffs in general. Although VAMPYRES has been steadily available over the years through a number of different companies on many different formats, Arrow’s new 2K transfer easily ranks as the best of the bunch and, as with Blue Underground’s earlier U.S. Blu-ray, Arrow’s Blu also contains the complete uncut version. The last film in the set, THE COMING OF SIN (1978), is a rather hallucinatory, evocative bit of erotica, which too has finally been released in its complete uncut version here. It likewise boasts another stellar transfer, which does wonders with the film’s hazy, soft-focus photography. Handsomely-packaged over three discs, with far too many extras to mention individually, the set includes everything from audio commentaries c/o the likes of Tim Lucas, Kat Ellinger and Samm Deighan to a wide variety of featurettes and on-camera interviews, plus a nicely-illustrated 80-page (!) book of writings from Tim Greaves and Vanity Celis. An incredible undertaking indeed, and absolutely essential!

FLESHPOT ON 42^ND STREET [1973] (Vinegar Syndrome) – If one looks beyond his pitifully minuscule budgets, pioneering New York D.I.Y. filmmaker Andy Milligan did most certainly have a knack for bringing an undeniable angry energy to his seamy, pessimistic sub-cinematic worldviews, of which FLESHPOT is arguably one of his very best offerings. Unfolding amidst the forlorn squalor of a long-gone Times Square and featuring some wonderfully affecting performances from both Laura Cannon (using the pseudonym ‘Diana Lewis” here) and Milligan regular Neil Flanagan as a seen-and-done-it-all drag queen, this new 4K transfer taken from the film’s 16mm camera reversal is a real eye-opener, which brings to light a number of previously obscured details. Presented in its original 1.33:1 aspect ratio (although a 1.85:1 matted version is also included!), this new uncut edition additionally includes a couple of very brief scenes depicting explicit sex that were heretofore only ever talked about but never seen until now. As for extras, authors and film historians Samm Deighan, Heather Drain and Kat Ellinger provide a terrific joint audio commentary covering both the film itself Milligan’s and colourful career in general. As of this writing, the Limited Edition is still available at Vinegar Syndrome, and it ranks as one of the very finest releases in their entire, prolific catalogue. 

CUJO [1983] (Eureka Entertainment) – While the transfer has prompted complaints from some die-hard techies (it looks about on-par with Olive Films’ earlier 2013 release), everything here looks quite satisfactory and, while a new 2K or 4K scan would be most welcome, this is still the best-looking presentation of the film that is currently available. However, where Eureka’s 2-disc set really outdoes any previous release is in the extras department, which not only ports-over the Dog Days documentary from Lionsgate’s 2007 Blu-ray, but also includes an whole wealth of special features, including an audio commentary from film historian Lee Gambin (author of Nope, Nothing Wrong Here: The Making of Cujo), along with a number of lengthy on-camera interviews that include a 100-minute Q&A session with actress Dee Wallace c/o Melbourne, Australia’s film collective, Cinemaniacs. Limited to 4000 copies (which may have already sold out) and enclosed in a sturdy slipcase boasting original artwork courtesy of Graham Humphreys, the set in addition includes a 60-page book containing essays from Craig Ian Mann, Scott Harrison and Gambin once again. In spite of the somewhat dated transfer, this release nonetheless comes highly recommended for its expansive treasure trove of well-researched extra features alone. 

VIY [1967] (Severin Films) – Based on Nikolai Gogol’s supernatural short story The Vij (first published in 1835), which was also used as the basis for Mario Bava’s iconic Euro Gothic BLACK SUNDAY (1960)—as well as Oleg Stepchenko’s big-budget, CGI-filled Russian-Ukrainian-Czech remake / reimagining Вий/ VIY (a.k.a. FORBIDDEN KINGDOM [2014])—this extraordinary Russian horror fantasy was finally afforded a much-deserved Blu-ray release earlier this year, and the HD boost certainly does wonders for Alexandr Ptushko’s marvelous special effects sequences (without doubt, the climactic sequence—showcasing a garishly grotesque menagerie of otherworldly monstrosities—easily stands as one of the most fabulous and magical sequences to be found in all of international cinema!). The disc also includes Vij the Vampire, a terrific interview with director Richard Stanley, and From the Woods to the Cosmos, another fascinating interview with Russian film historian John Leman Riley, who goes over the history of Russian genre films. In addition, as with the previous Image/Ruscico DVD (circa the early 2000s), Severin have once again—most appreciatively indeed—included THE PORTRAIT (1915), THE QUEEN OF SPADES (1916) and SATAN EXULTANT (1917), three utterly fascinating Russian silent shorts, which are themselves quite unforgettable.  

AMERICAN HORROR PROJECT VOLUME TWO [1972 – 1977] (Arrow Video) – Three years since the release of Volume One, Stephen Thrower’s continued exploration of neglected and undiscovered American horror films totals another must-own box set. John Hayes’ DREAM NO EVIL (1972), Martin Goldman’s DARK AUGUST (1976) and Robert Voskanian’s THE CHILD (1977) are yet another trio of highly idiosyncratic examples of regional U.S. filmmaking, all of which are worthy of the praise they are given here. Although each film in this set is solid enough, it’s DARK AUGUST that turns out to be the real sleeper here. An impressively-mounted and highly atmospheric film in its own right, it is not only eerily compelling, but its air of underlying menace is entirely palpable. Loaded with informative audio commentaries, extra documentaries, cast/crew interviews and much, much more, this exhaustive set gets top marks all around, amounting to one of the very best releases of the year!  

DOUBLE FACE [1969] (Arrow Video) – Long unavailable in anything resembling a decent, coherent version (the film’s U.S. VHS transfer print was heavily edited), Riccardo Freda’s early giallo represents one of the very few early attempts to effectively bridge the gap between the atmospheric horror tropes of the Italian Gothic and the more modern sensibilities of the Italian thriller. Highlighted by Gábor Pogány’s appropriately moody photography and Nora Orlandi’s deliciously lush score, Freda’s film has never looked better than it does here on Arrow’s flawless Blu-ray, which not only reinstates the film back to its original luster, but finally features the uncut version as well. Arrow’s disc is also nicely complimented by an informative audio commentary courtesy of Tim Lucas, who most definitely knows a thing or two about Italian films, and he even discusses DOUBLE FACE’s connection to German Edgar Wallace Krimi genre (it was even marketed in Germany as such). A nicely-illustrated video essay charting the works of Freda and a couple of featurettes spotlighting the career of Nora Orlandi are also included.

THE NEW YORK RIPPER [1982] (Blue Underground) – A superb upgrade in every way, Lucio Fulci’s supremely nasty giallo gets quite the overhaul via BU’s new 3-disc Limited Edition Blu-ray set, which not only features a brand-new, startlingly crisp 4K transfer, but also an entire host of new special features, including an audio commentary by Splintered Visions author Troy Howarth and an on-camera interview with Beyond Terror: The Films of Lucio Fulci author Stephen Thrower. As with some of their earlier Limited Edition sets, BU have also included Francesco De Masi’s wonderful, highly-engaging 29-track score as a bonus CD. On the packaging front, it also includes a nice 20-page booklet with writing from Travis Crawford, all of which is appropriately adorned with sleazy if striking cover art featuring all-new alternate artwork by famed Italian poster artist Enzo Sciotti. 

OPERA [1987] (Scorpion Releasing) – Arguably one of Dario Argento’s last great films, this lavishly-produced, 3-disc set features new 2K transfers of three separate cuts of the film, including a (quote) “2.35:1 Super 35, 1.78:1 and US Orion Pictures Cut”, all presented on separate discs. And if that weren’t enough, the first two editions also include English or Italian audio tracks with optional, newly-translated English subtitles. Extras begin with a pair of great audio commentaries from Mondo Digital’s Nathaniel Thompson and author Troy Howarth, then continue with a bevy of on-camera interviews from Dario Argento, composer Claudio Simonetti, special effects guru Sergio Stivaletti, as well as most of the film’s principal actors. Scorpion’s impressive presentation may well be THE final word on the film, whose confusing release history is finally put to rest with this must-own disc.

THE TOUGH ONES [1976] (Grindhouse Releasing) – One of the high watermarks of the entire genre, Grindhouse’s staggering 3-disc Deluxe Edition is likewise one of the most impressive Blu-ray releases of any Italocrime film. Featuring the ever-dependable Maurizio Merli and a scene-stealing performance from Tomas Milian, this set is as much of a celebration of Lenzi’s entire career as the film itself, which, outside of the numerous extras, also features a feature-length documentary on the man himself. Beautifully packaged, Grindhouse have also seen fit to include Franco Micalizzi’s dynamic, hugely-enjoyable score as a separate CD. Read review.

KLUTE [1971] (Criterion Collection) – From director Alan J. Pakula (who would go on to helm one of the greatest conspiracy thrillers, ALL THE PRESIDENT’S MEN [1976]), Jane Fonda stars as Bree Daniels, a high-end New York City call-girl who gets mixed-up in a missing persons investigation, which private investigator John Klute (Donald Sutherland) is hired to solve in this understated and rather unsettling thriller. While expertly lensed by master DP Gordon Willis and chillingly scored by Michael Small, this remains Fonda’s show all the way thanks to her edgy, masterful performance. Beautifully-restored and scanned in 4K (as supervised by camera operator Michael Chapman), this is a most welcome release of a pivotal ’Seventies classic. 

CRUISING [1980] (Arrow Video) – Vilified during its initial theatrical release, William Friedkin’s controversial-yet-unforgettable film has steadily gained a quite rabid fan base over the years, but following Warner’s 2008 DVD, the film became controversial for an entirely different reason due to Friedkin’s notorious tinkering with it. The entire picture was reworked and given a blue hue over most of the proceedings, but, most notoriously of all, some odd—and highly distracting—digital effects were also sloppily added to the film, as good as ruining it in the process. Fortunately, Arrow’s new Blu-ray restores CRUISING back to its original form, and it now features a far more appropriate and naturalistic color scheme. At the same time, all those annoying digital effects have been removed as well. Also worth mentioning (since it too caused some controversy), this new 4K scan additionally features a slightly reworked, fittingly ominous title card which sets up the narrative more effectively without intruding on the film proper when it begins. So with that being said, this new presentation should be considered the definitive version of Friedkin’s film. Porting-over all the extra features from Warner’s DVD, Arrow have also included a brand-new audio commentary from Friedkin and critic Mark Kermode and, unlike Friedkin’s solo commentary from the earlier disc (also included here), Kermode gets him to reveal all sorts of interesting stories related to the film, which still remains one of the more compelling works in his entire canon. 

APOCALYPSE NOW [1979] (Lionsgate) – With more and more films making the jump to 4K UHD, Francis Ford Coppola’s hallucinatory, epic and beautifully stylized film is easily one of the more impressive UHD releases to hit the home video market. Spread over 2 UHD and 4 Blu-ray discs, Lionsgate’s gorgeously packaged set includes all three versions of the film (each taken from the same 4K restoration), all of which look immaculate with perfect colour saturation and superb detail. The almost ridiculously thorough extras (most of which are presented in 1080p and also include the essential documentary Hearts of Darkness: A Filmmaker’s Apocalypse [1991]) only sweeten the deal. 

THE PREY [1980] (Arrow Video) – A true labour of love, Edwin S. Brown’s highly-distinctive slice ’n’ dicer gets plenty of first-class treatment thanks to Arrow Video (and in particular Arrow’s Ewan Cant) in this lovingly-put-together and beautifully-restored BD package. Spread out over two discs, no stone is left unturned in this exhaustive set, which not only includes three (!) separate audio commentaries, but the film’s long-unseen International Cut as well. While not for all tastes, this remains one of the best and most impressive restorations of the year, which comes as a real godsend for fans of the film. Read review.

TOYS ARE NOT FOR CHILDREN [1972] (Arrow Video) – Although marketed as a sexploitation picture, director Stanley H. Brasslof’s film transcends that genre and remains a surprisingly dark and melancholic look at a woman’s damaged psyche. Avoiding all the usual sex film pitfalls, Brasslof’s haunting, meditative approach to the material is infinitely more memorable, and its effect lingers long after the film has finished. A hidden gem among Something Weird Video’s long line of Harry Novak acquisitions released as a Special Edition DVD (for which it was paired-up with Ron Garcia’s sex-horror weirdie THE TOY BOX [1971]), Brasslof’s film comes to Blu-ray in an excellent 2K transfer taken from original film elements. Included in the package are a number of worthy special features that both explore the film and pay tribute to Brasslof’s unique filmography, beginning with an audio commentary from Diabolique’s Kat Ellinger and Heather Drain, an on-camera interview with Nightmare USA author Stephen Thrower, plus a video essay from Alexandra Nicholas-Heller. Get it!

HAMMER VOLUME FOUR: FACES OF FEAR [1958 – 1968] (Indicator) – Even though the first three volumes of Indicator’s ongoing restorations of Hammer Films have been stellar to say the least, this fourth volume is the one everyone has been waiting for. Gathering together some of the studio’s best films, Indicator’s brand-new 4K scan of Terence Fisher’s THE REVENGE OF FRANKENSTEIN (1958) looks incredibly vibrant here with lush, colourful textures and stunning detail; it’s easily the best the film has ever looked, which goes a long way in further strengthening its already high pedigree. Difficult to see for years, Joseph Losey’s THE DAMNED (a.k.a. THESE ARE THE DAMNED, 1968), which is probably the true standout of this amazing box set, also looks spectacular here thanks to Indicator’s brand-new 2K scan. If you’ve seen the film before, you’ll know it as easily one of Hammer’s most thought-provoking and interesting offerings. Although both Terence Fisher’s THE TWO FACES OF DR. JEKYLL (1960) and Seth Holt’s thriller TASTE OF FEAR (a.k.a. SCREAM OF FEAR, 1962) are only afforded (quote) “High Definition remasters”, both films look superb nonetheless, restoring a luster not seen in earlier presentations. As usual, Indicator have loaded each disc with a number of illuminating audio commentaries, alternate presentations, documentaries, booklets and so much more, making this yet another essential, must-own box set. And while you’re at it, if you don’t have any of Indicator’s other Hammer sets yet, then do yourself a (big) favour and pick those up too! 

AN AMERICAN WEREWOLF IN LONDON [1981] (Arrow Video) – Previously released virtually countless times on home video, John Landis’ werewolf classic comes to Blu-ray once again in what can easily be labeled as its definitive release. Featuring an all-new 2019 restoration of the film taken from the original camera negative and a mind-boggling assortment of extra features, including Paul Davis’ feature-length documentary Beware the Moonand still another feature-length doc, Daniel Griffith’s Mark of the Beast: The Legacy of the Universal Werewolf. Housed in one of Arrow’s sturdy slipcases, this Limited Edition is remarkable indeed, so grab it before it disappears!

GODZILLA: THE SHOWA ERA FILMS, 1954 – 1975 (Criterion Collection) – Criterion have really gone all-out for this truly inspired undertaking—their 1000^th release—a massive 8-disc set containing all fifteen of Toho’s Godzilla films from the so-called “Shōwa Era” (1954-1975), including everything from Ishirō Honda’s grim original (in two versions, no less!) up to his series swansong THE TERROR OF MECHAGODZILLA (1975). Including far too many extras to expound upon (including both the Japanese release version and the U.S. theatrical cut of Honda’s KING KONG VS. GODZILLA [1963]), plus some fascinating behind-the-scenes documentaries), this set will keep you entertained for weeks on end with its seemingly endless array of extra features. Stunningly designed with beautiful, eye-catching original artwork and housed within a giant over-sized book (which resembles a graphic novel or coffee-table book), this mammoth set singlehandedly proves that the market for physical media is still very much alive. 

MADIGAN [1968] (Kino Lorber Studio Classics) – Dan Madigan (Richard Widmark) and his partner Rocco (Harry Guardini) are a couple of NYC detectives who are on the lookout for Barney Benesch (Steve Inhat), an elusive, trigger-happy gangster, only to find themselves constantly at odds with the machinations of inter-departmental politics and bureaucracy. Another terrific effort from master filmmaker Don Siegel, MADIGAN reads very much like a transitional film, which treads the line between the studio pictures of the previous decade and the gritty realism of the ’Seventies cop dramas, which were right around the corner. Kino’s solid, studio-prepared transfer looks excellent, and the big highlight here is an audio commentary featuring Howard S. Berger, Steve Mitchell and Nathaniel Thompson, who provide a consistently entertaining first-hand look back at the film, which helps you to appreciate it all the more.  

DRACULA [1979] (Scream Factory) – Scream Factory had an incredibly busy year, but this 2-disc Blu-ray of John Badham’s epic, lavish cinematic adaptation of Bram Stoker’s Dracula was the highlight among their many riches. At long last, it contains the original ‘colour’ version of the film, which has been nearly impossible to see over the last few years. Of course, along with plenty of extra features, Badham’s preferred colour-drained, sepia version is also included, but in all honesty, you’ll never watch this version again, although it does serve as a good reminder of what a wrongheaded decision this unfortunate ‘aesthetic choice’ really was. 

HIGHLY HONOURABLE MENTIONS

ALICE, SWEET ALICE (Arrow Video), AMITYVILLE: THE CURSED COLLECTION (Vinegar Syndrome), ASSIGNMENT TERROR (Scorpion Releasing), ATTACK OF THE ROBOTS (Kino Lorber), THE BAD AND THE BEAUTIFUL (Warner Archive), BEATRICE CENCI (88 Films), BILLY THE KID VS. DRACULA (Kino Lorber Studio Classics), THE BLOB (Scream Factory), BLUE VELVET (Criterion Collection), THE BRAIN (Scream Factory), A BUCKET OF BLOOD (Olive Films / Signature Series), THE BUSHWHACKER / THE RAVAGER (American Arcana), THE CANDY SNATCHERS (Vinegar Syndrome), THE CORRUPTION OF CHRIS MILLER (Vinegar Syndrome), DAYS OF WINE AND ROSES (Warner Archive), EMANUELLE IN AMERICA (Mondo Macabro), HERCULES IN THE HAUNTED WORLD (Kino Lorber), THE FLY COLLECTION (Scream Factory), THE HILLS HAVE EYES PART 2 (Arrow Video), THE IGUANA WITH THE TONGUE OF FIRE (Arrow Video), IN THE HEAT OF THE NIGHT (Criterion Collection), INVASION OF THE BLOOD FARMERS (Severin Films), THE KILLER OF DOLLS (Mondo Macabro), MAGNIFICENT OBSESSION (Criterion Collection), THE MUMMY’S REVENGE (Scorpion Releasing), MURDERS IN THE RUE MORGUE (Scream Factory), THE NIGHTCOMERS (Kino Lorber Studio Classics), NOTORIOUS (Criterion Collection), OLDBOY(Arrow Video), THE PASSING (Vinegar Syndrome), ROBOCOP (Arrow Video / Limited Edition), SECTA SINIESTRA (Vinegar Syndrome), SPOOKIES (Vinegar Syndrome), TWO EVIL EYES (Blue Underground), WARLOCK (Twilight Time), WEREWOLF IN A GIRLS’ DORMITORY (Severin Films), WHO SAW HER DIE? (Arrow Video), YEAR OF THE DRAGON (Warner Archive), and finally, let’s not forget about Scream Factory’s ongoing dedication to famed British studio Hammer Films, which saw them release an astonishing 18 films onto Blu-ray in 2019 alone!

UNPOPPED CINEMA'S TOP 20 BEST DISCS OF 2018

As streaming sites continue to evolve (many times notfor the better, sad to say), it becomes increasingly difficult to predict what movies will suddenly disappear from their ever-changing sites / playlists and, even though they do still offer plenty to enjoy in terms of original programming, film preservation is certainly far from their first prerogative. Thankfully, independent Blu-ray companies (and the odd big studio label, such as The Warner Archive Collection) continue to ‘fill the gap’ by offering superb restorations of either important classics such as Christian Nyby’s / Howard Hawks’ THE THING (1951) or previously-forgotten / barely-released films such as J. Lee Thompson’s THE REINCARNATION OF PETER PROUD (1975). It’s definitely a great time to be a film fan, and without such companies as AGFA, Arrow Video, Blue Underground, Code Red, The Criterion Collection, Indicator, Kino Lorber Studio Classics, Massacre Video, Mondo Macabro, Olive Films, Scorpion Releasing, Scream Factory, Severin, Twilight Time, Vinegar Syndrome, The Warner Archive Collection and Wild East Productions, it’s doubtful many of these films would ever get released at all; for that, we should be forever grateful. The titles on disc listed below are a mere fractionof this year’s highlights, all of which come highly recommended, of course.

NIGHT OF THE LIVING DEAD [1968] (The Criterion Collection) – An undisputed classic, which, during the infancy of the home video boom at least, suffered from a number of poor transfers in indifferent releases by numerous cheapo fly-by-night companies who were merely capitalizing on the film’s public domain status. In 1994, Elite Entertainment provided the film with its first real restoration on laserdisc, and since then, NOTLD has appeared on numerous DVD labels, including Elite, Anchor Bay and even Miramax’s subsidiary, Dimension Extreme. And while most of these editions were fine, nothing can compare to Criterion’s 2-disc Blu-ray set, which not only features a stellar (quote) “4K digital restoration”, but also includes a workprint version entitled NIGHT OF ANUBIS, never-before-seen 16mm dailies, a number of interviews with the cast and crew, commentary tracks, a 2012 TIFF event hosted by former Midnight Madness programmer Colin Geddes, and so much more. A truly stupendous set, which is also beautifully packaged in one of Criterion’s fold-out digipacks. Needless to say, an absolute must-have!

THREADS [1984] (Severin) – Only shown sparingly on U.S. television, this haunting U.K.-based ‘nuclear panic’ drama has finally received the recognition it deserves thanks to Severin’s newly-restored, special edition Blu-ray. Shown in its intended 1.33:1 aspect ratio, the gritty, documentary-like approach is nicely preserved in Severin’s transfer and only adds to the film’s foreboding and unforgiving nature. Of course, Severin also includes a number of illuminating extras, beginning with an indispensable audio commentary by the film’s director, Mick Jackson, which is expertly moderated by Severin’s David Gregory and author Kier-La Janisse. The disc also includes a number of extra featurettes, including one with the film’s DP, Andrew Dunn. And for those wishing to really splurge, Severin have also issued the film as a limited edition Blu-ray with a lenticular cover. As the film’s tagline proclaims, it’s “the closest you’ll ever want to come to nuclear war!” I couldn’t agree more. Devastating and unforgettable!

THE INCIDENT [1967] (Twilight Time) – Never issued on DVD in the U.S. or Canada, Larry Peerce’s THE INCIDENT stars Tony Musante (in an electrifying debut) and Martin Sheen as a pair of ne’er-do-well troublemakers who board a New York City subway train and proceed to terrorize everyone thereon. A simple premise, which is grounded by a number of terrific, first-rate performances from the likes of Jack Gilford, Thelma Ritter, Ed McMahon, Diana Van der Vlis, Brock Peters, Jan Sterling and others. The stark B&W photography courtesy of Gerald Hirschfeld also adds immensely to the film’s grittiness and unflinching realism. TT’s disc contains a stunning transfer of this long-difficult-to-see film, which also includes an audio commentary from director Peerce moderated by Nick Redman. Needless to say, this limited edition (3000 copies) disc is likely to sell out in no time, so grab it while you can, as it’s well worth your investment.

ALMOST HUMAN [1974] (Code Red) – Despite directing a vast array of films from many different genres, director Umberto Lenzi has become best-known to those who care about such things (we at Unpopped very much included!) for his numerous Italocrime films, of which ALMOST HUMAN certainly ranks at the top while crawling along the gutters of crime-ridden Milan. Showcasing a jittery, paranoid, no-holds-barred performance from Tomas Milian and co-starring Henry Silva as the exasperated, outspoken commissario out to get him, this actioner barrels right along, ably aided-and-abetted by Ennio Morricone’s hard-hitting score. Previously available on DVD from No Shame Films, Code Red’s Blu-ray includes a superb HD transfer of the film, plus ports-over all of the extras from No Shame’s long-out-of-print DVD. As an added welcome bonus, Code Red have also seen fit to include Joseph Brenner’s U.S. edit in an appropriately beat-up scope print. WOW!! Read review.

NO DOWN PAYMENT [1957] (Twilight Time) – From producer Jerry Wald, who seemed to specialize in these ’50s-era ‘soaps’ (Mark Robson’s PEYTON PLACE [1957] and Jean Negulesco’s THE BEST OF EVERYTHING [1959] are a couple of noteworthy others), NO DOWN PAYMENT is director Martin Ritt’s look at suburbia, in particular the lives of four couples living in Sunrise Hills, a new Californian housing development. Pat Hingle (who would later appear in Ritt’s NORMA RAE [1979]) and Barbara Rush (from Nicholas Ray’s BIGGER THAN LIFE [1956]) are the standouts here, giving beautiful, multi-nuanced performances, but that’s not to say that everyone else isn’t fantastic too; also including stunning thesping from Tony Randall, Joanne Woodward and Cameron Mitchell, whose work not only draw attention to the allure of suburban life, but reveals many of the underlying secrets and/or imperfections associated with this supposedly, picture-perfect, squeaky-clean lifestyle. The slick B&W scope cinematography by Joseph LaShelle (he also shot Ritt’s THE LONG, HOT SUMMER [1958] the following year) looks dazzling on TT’s disc, which only further enhances the dreariness and thinly-veiled sordidity of these quickly-constructed neighbourhoods.

DEATH SMILES ON A MURDERER [1973] (Arrow Video) – Joe D’Amato’s first official directorial debut (which he signed under his real name of Aristide Massaccesi) has suffered from a number low-grade, bootlegs over the years, but thanks to Arrow Video this latter-day Italo-Gothic has finally been given some much-needed respect with a spectacular 2K transfer taken from the original camera negative. The disc also includes a highly informative audio commentary from Tim Lucas, a nicely-produced on-camera interview / documentary about the film’s star, Ewa Aulin; a video essay by Kat Ellinger, and a most-welcome 43-page liner booklet with writing from Stephen Thrower and Roberto Curti, plus a previously-unpublished interview with the film’s assistant director, Romano Scandariato. What more do ya need?! Read review.

THE REINCARNATION OF PETER PROUD [1975] (Kino Lorber Studio Classics) – Bypassing DVD altogether, J. Lee Thompson’s supernatural thriller had remained unavailable on home video since its long-gone VHS release from Vestron Video, so kudos to Kino for finally digging this out of the Paramount vaults! Transferred in 4K from the film’s original camera negative, Kino’s Blu-ray looks wonderful, with deep blacks and excellent detail throughout; a far-cry from Vestron’s muddy, pan-’n’-scan old tape! Kino have also included some choice extras, including an audio commentary from author and film historian Lee Gambin, who always has plenty of interesting things to say that reveal all sorts of interesting nuggets, and whose enthusiasm is always appreciated! Other extras include comparisons between the censored and uncensored scenes of Margot Kidder’s bathtub sequence, a number of stills galleries showcasing the film’s promotional materials, as well as trailers and numerous TV spots. It’s great to have this once-forgotten flick back in active circulation again! 

COMBAT SHOCK [1984] (Severin) – Buddy Giovinazzo’s unflinching portrait of a severely traumatized Vietnam vet has lost none of its power over the years and this Limited Edition Blu-ray certainly proves it! Scanned in 4K and including the full AMERICAN NIGHTMARE version, the disc also comes fully-loaded with extras. As an added bonus, Severin have also included the film’s first-ever soundtrack release on CD, original film frames from Buddy’s workprint, an autographed slipcover and a 96-page American Nightmares Scrapbook featuring the film’s shooting script, Buddy’s shooting diary and numerous on-set photos! Hard-hitting and fraught with desperation, Buddy G’s film continues to be an unnerving slice of cinema, and thanks to Severin, it can finally be viewed the way it was meant to be seen!

WHO CAN KILL A CHILD? [1976] (Mondo Macabro) – 2018 was a very busy year for MM, with a number of outstanding releases from them. To be honest, just about everything they release deserves to be on this list, but Narciso Ibáñez Serrador’s WHO CAN KILL A CHILD? (previously issued on DVD by Dark Sky Films) was the standout for me. MM’s new 4K transfer from the film’s negative is really quite a sight to behold and looks flawless and, to top it all off, the film is playable in no less than four (4) different versions (!), which include the full-length uncut version in both English and Spanish (with newly-translated English subtitles), as well as an alternate English version and AIP (American International Pictures)’s truncated ISLAND OF THE DAMNED stateside release version. Extras includes a wonderful audio commentary from Samm Deighan and Kat Ellinger, who not only discuss the film in question, but also Serrador’s long—and continuing—career in television. Numerous featurettes with the film’s director and DP José Luis Alcaine are also included, and for those lucky folks who scored themselves a Limited Edition ‘Red Case’ copy, it also contains mini-reproductions of the U.S. lobby card set and a nicely-illustrated booklet featuring an excellent essay by scribe Lee Gambin. Essential!

THE COMPLETE SARTANA [1968 – 1970] (Arrow Video) – One of the many antiheroes who populated the world of spaghetti westerns, although Gianni Garko had played an otherwise unrelated villainous character named Sartana in “Albert Cardiff”/Alberto Cardone’s $1,000 ON THE BLACK (a.k.a. BLOOD AT SUNDOWN [1966]), Garko was first ‘officially’ introduced as a new character named Sartana in “Frank Kramer”/Gianfranco Parolini’s IF YOU MEET SARTANA… PRAY FOR YOUR DEATH (1968), and he is the actor most-associated with the title role (although George Hilton and other performers also tried their hands at Sartana’s persona, with various degrees of success). Of course, there were many subsequent—often in-name-only—rip-off’s (some good, some, um, not so good), but Arrow Video only includes the five official films, and for the record, they include Parolini’s aforementioned film as well as Giuliano Carnimeo’s (directing under his usual “Anthony Ascott” pseudonym) I AM SARTANA YOUR ANGEL OF DEATH (1969), HAVE A GOOD FUNERAL MYFRIEND… SARTANA WILL PAY (1970), LIGHT THE FUSE… SARTANA IS COMING (1970) and SARTANA’S HERE… TRADEYOUR PISTOL FOR A COFFIN (1970), with George Hilton assuming Sartana’s handle/mantle for that lattermost title. Each series entry is allotted its own separate Blu-ray and, outside of the first entry (which was transferred from a film chain and looks the weakest of the lot, but is still miles better than anything previously released), all the films look spectacular and include a multitude of extras. A thick booklet, which includes writing from author Roberto Curti, is also included. A truly wonderful—and essential—collection, this is!

LAST HOUSE ON THE LEFT [1972] (Arrow Video) – So many different editions and different versions of this oft-controversial film have come and gone over the years that it has become virtually impossible to choose the definitive one, but the fine folks at Arrow Video may have managed just that! A truly stupendous Blu-ray set in all respects, Arrow’s impressive 2K restoration looks fabulous, especially given the film’s low-budget origins and the grainy 16mm film stock, which also includes all three extant versions: the unrated one, the alternate KRUG & COMPANY cut, as well as the R-rated cut, spread over two Blu-rays. A massive amount of extras are also included, which are far too numerous to list here, but some of the standouts include a newly-recorded audio commentary with Bill Ackerman and Amanda Reyes from the Supporting Characters and Made for TV Mayhem podcasts, who both do stellar work here, shedding even more light on this significant film. David Gregory’s revealing doc Celluloid: Crime of the Centuryis once again included, as are a number of new and existing docs, location tours, over 45-minutes (!) of outtakes and dailies, plus tons more. Additionally, the film is packaged in one of Arrow’s sturdy hardboxes, which includes a thick booklet with writing from Nightmare USA’s Stephen Thrower, a doubled-sided poster, lobby-card repros and reversible artwork. Truly outstanding!

GIALLO IN VENICE [1979] (Scorpion Releasing) – Easily the most notorious giallo of them all, Mario Landi’s film gets a (quote) “brand new 2018 HD scan”, which is a real eye-opener for anyone who has suffered through all those dreadful bootlegs over the years. While it’s not the prettiest film to look at, the new-and-improved transfer makes a world of difference, and to top it all off, it’s uncut as well. Even though extras are limited, a fun, fact-filled audio commentary with author Troy Howarth is also included. The disc also includes reversible artwork, a nicely-illustrated—and appropriately lurid!—slipcover courtesy of Devon Whitehead, and a collectible poster too. Read review.

MEMORIES WITHIN MISS AGGIE [1974] (Vinegar Syndrome) – Difficult to see for years, especially in something even resembling a decent version, Gerard Damiano’s horror-infused psychosexual shocker receives the red-carpet treatment by VS. One of the more compelling hardcore films to emerge from the era of “porno chic”, VS’ new 2K transfer taken from 16mm archival elements brings out much of the film’s oppressive atmosphere, and is just about perfect, considering the film’s humble origins. A short-but-excellent poster/still gallery is also included with numerous articles related to the film’s controversial theatrical run, as well as a video-sourced trailer, whose lesser quality makes you truly appreciate just how good everything looks now. The initial 1000 print-run (now OOP) also included a collectible slipcover. Read review.

INVASION OF THE BODY SNATCHERS [1957] (Olive Films) – With its potent and frightening themes of total collectivist dehumanization and loss of individual identity, this film remains as highly topical/relevant today as it ever was, if not even more-so. In what was surely one of the more anticipated releases of the year, Olive lent Don Siegel’s enduring sci-fi classic their ‘Signature Series’ treatment with a fine-looking HD transfer and a wealth of special features, many of which have been lying dormant since Paramount’s proposed DVD in 2006. These extras included excellent interviews with the film’s stars Kevin McCarthy and Dana Wynter, both of whom have since passed away, and there’s a terrific audio commentary (also recorded in 2006) with McCarthy, Wynter and celebrated film director Joe Dante. Numerous other worthy extras are also included, which only sweetens the deal.

NIGHT OF THE DEMON [1957] (Indicator) – An absolutely stunning, topnotch 2-disc Blu-ray set that is a necessity for anyone’s collection! Based on M.R. James’ short story “Casting the Runes” (1911), superb filmmaking makes this a true gem if ever there was one. Indicator have really outdone themselves with this magnificent release of Jacques Tourneur’s occult masterpiece by including six (yes, SIX!) different editions of the film, along with so many extras it’ll make your head spin. 

THE BLOOD ISLAND COLLECTION [1959 – 1970] (Severin) – Encompassing not only Gerardo de Leon’s and Eddie Romero’s BRIDES OF BLOOD (1968) and MAD DOCTOR OF BLOOD ISLAND (1968), as well as Romero’s BEAST OF BLOOD ([1970] that is only available in this boxset), the three official films which constitute the “Blood Island” trilogy, Severin’s impressive set also includes de Leon’s and Romero’s TERROR IS A MAN (a.k.a. BLOOD CREATURE [1959]), their ‘downsized’ if nonetheless effective and atmospheric take on H.G. Wells’ influential 1896 novel The Island of Dr. Moreau. Amazing transfers (including a stunning 4K transfer of MAD DOCTOR taken from the original camera negative) highlight much of this collection, with each film looking far better than any previous release(s), and of course, Severin also provides plenty of extras, including documentaries, commentaries, trailers and lots more! The initial 3500 print-run has already sold out, so if you luck into one at an old brick-and-mortar store or online for a decent price, snap it up!

TAKE IT OUT IN TRADE [1970] (AGFA / Something Weird Video) – Long thought to be lost, approximately 70 minutes of outtakes from this Edward D. Wood Jr. film were released onto VHS videocassette by SWV in 1995, but according to the audio commentary on this disc by director Frank Henenlotter, author and Ed Wood biographer Rudolph Grey and AGFA’s Joseph A. Ziemba, the only known 16mm print was obtained from actor / stuntman Ray “Crash” Corrigan’s son. The disc also includes the aforementioned outtakes and a decent 2K scan of Joseph F. Robertson’s THE LOVE FEAST (1969), which also co-stars cult poverty row filmmaker Ed Wood. A nice booklet with liner notes from Grey is also included in the package. 

THE MAGNIFICENT AMBERSONS [1942] (The Criterion Collection) – Thanks to the imprudent studio bosses at RKO, Orson Welles’ film will never be reconstructed into its original form, but Criterion’s Blu-ray is yet another ‘magnificent’ 4K transfer of this heavily-compromised masterpiece, which, even in its bowdlerized version still leaves us so much to enjoy from the performances (Agnes Moorehead received an Oscar nod), Bernard Hermann’s music and the fluid photography. Lots of fascinating extras (including a 57-page booklet) are included, which further establishes Welles’ unfortunate luck with RKO. 

THE THING FROM ANOTHER WORLD [1951] (Warner Archive Collection) – Christian Nyby’s and Howard Hawks’ tremendous, ground-breaking sci-fi film—one of the earliest ‘alien invasion’ outings—arrives on Blu-ray in a first-rate transfer without any of the noticeable quality disruptions seen in previous versions. Although it’s a relatively bare-bones disc boasting only a couple of trailers (the original and a rerelease trailer), this new-and-improved transfer comes as a real revelation. 

ZOMBIE [1979] (Blue Underground) – Pretty much available since the dawn of home video on a number of different formats from a whole slew of labels, Lucio Fulci’s most-iconic achievement has recently been released in what shall quite likely remain the definitive version. This 3-Disc Limited Edition (offering three different slipcovers to choose from!) assembles together extras from BU’s earlier 2-disc Ultimate Edition along with a number of new ones, including an audio commentary with Splintered Visions author Troy Howarth, plus a newly-shot on-camera interview with Beyond Terror author Stephen Thrower. And not only that, but you also get Fabio Frizzi’s complete soundtrack on an extra CD too! Read review.

HIGHLY HONOURABLE MENTIONS. 

ALICE, SWEET, ALICE (88 Films), BASKET CASE (Arrow Video), BEWARE THE BRETHREN (Vinegar Syndrome), BLOODLUST (Mondo Macabro), THE BLOODTHIRSTY TRILOGY (Arrow Video), BLUE COLLAR (Indicator – Region B), CHARLEY VARRICK (Indicator - Region B), THE CHANGELING (Severin), THE CHILDREN (Vinegar Syndrome), CITY OF THE LIVING DEAD (Arrow Video – Region B), CREEPSHOW (Scream Factory), DEATH LAID AN EGG (Nucleus), THE DEVIL INCARNATE (Mondo Macabro), EATEN ALIVE (Severin), EMANUELLE AND THE LAST CANNIBALS (Severin), ENTER THE DEVIL (Massacre Video), THE EXECUTION SQUAD (Al!ve / AG Films), EYEBALL (88 Films), FIVE TALL TALES: BUDD BOETTICHER & RANDOLPH SCOTT AT COLUMBIA, 1957-1960 (Indicator), GAMES (Scream Factory), GODMONSTER OF INDIAN FLATS (AGFA / Something Weird Video), GOLD (Kino Lorber Studio Classics), THE GRISSOM GANG (Kino Lorber Studio Classics), HAMMER VOLUME TWO: CRIMINAL INTENT (Indicator), THE HIRED HAND (Arrow Academy), THE HOT ROCK (Twilight Time), IMAGES (Arrow Academy), THE INCUBUS (Vinegar Syndrome), LADY FRANKENSTEIN (Nucleus), MANIAC (Blue Underground / 3-disc Limited Edition), A MATTER OF LIFE AND DEATH (The Criterion Collection), MAUSOLEUM (Vinegar Syndrome),  MURDER ROCK (Scorpion Releasing), ORGIES OF EDO (Arrow Video), PERVERSION STORY (Mondo Macabro), REQUIEM FOR GRINGO (Wild East Productions), SHAMPOO (The Criterion Collection), THE SADIST OF NOTRE DAME (Severin), THE SATANIC RITES OF DRACULA (Warner Archive Collection),SHOCKING DARK (Severin), SINFONIA EROTICA (Severin), SISTERS (The Criterion Collection), SNOWBEAST (Retromedia), THE SWINGING BARMAIDS (Code Red), THE TREE OF LIFE (The Criterion Collection), THE TRUE STORY OF JESSE JAMES (Twilight Time), THE VAMPIRE AND THE BALLERINA (Scream Factory), THE WASP WOMAN (Scream Factory), WILLIAM CASTLE AT COLUMBIA, VOLUME ONE (Indicator) and ZOMBIE 3 (Severin). 

UNPOPPED CINEMA'S TOP 20 BEST DISCS OF 2017

Although facing tough competition from VOD (Video-On-Demand) and numerous online streaming sites such as Netflix, physical media (i.e. DVD and Blu-ray) has, in terms of sales at most brick-and-mortar stores at least, slowed considerably over the years, but this has resulted in most online retailers, and many of the Blu-ray companies themselves, offering more and more interesting titles, many times in Limited and/or Special Editions, some of which sell-out within mere days after being released. Of course, it would be great if the major studios would release more of their own back catalogues, although from a purely business standpoint, it really doesn’t make much sense. But thanks to resourceful companies like AGFA, Arrow Video, Blue Underground, Camera Obscura, Code Red, The Criterion Collection, Dorado Films, Garagehouse Pictures, Indicator, Kino Lorber, Mondo Macabro, Scorpion Releasing, Scream Factory, Severin Films, Subkultur, Synapse Films, and Vinegar Syndrome, these small-but-dedicated labels have happily – and very successfully – filled the void by licensing all sorts of previously unseen or barely-released films. Some prime examples include Arrow Video’s stunning restoration of J.S. Cardone’s THE SLAYER (1982) or, thanks to Olive Films, long-forgotten oddities such as Terence Young’s THE KLANSMAN (1974) are finally turning up, which has, until now, remained buried in the Paramount vaults.  It’s inevitable that the marketplace will change once again at some point in the future, but for now, the wealth of material that continues to get released truly boggles the mind. The titles listed below are but a mere fraction of the highlights, all of which, of course, come highly recommended.

HIS GIRL FRIDAY [1940] (Criterion Collection) – A true American classic celebrated for its rip-roaring dialogue and for Howard Hawks’ stroke of genius by casting a woman (the unequaled Rosalind Russell) as a female reporter at odds with Cary Grant’s Walter Burns. Criterion’s very impressive 2-disc Blu-ray contains an amazing array of extras, including Lewis Milestone’s THE FRONT PAGE (1931), which was also adapted from Ben Hecht and Charles MacArthur’s play of the same name. As good as Milestone’s film is, you’ll quickly realize what a maverick Hawks was for his inspired bit of casting. The newspaper-styled liner notes booklet is also a very clever touch.

THE NEW CENTURIONS [1972] (Indicator) – Sometimes referred to as (quote) “the force’s poet laureate”, former cop Joseph Wambaugh adapted this to the screen from his own novel, which details the life of a cop as seen through the eyes of rookie Roy (Stacy Keach) and a grizzled, seen-it-all veteran named Andy Klivinsky (George C. Scott). On the surface, it’s typical of most cop flicks, but what really sets this film apart is Wambaugh’s authentic dialogue and details of life on the force, which is beautifully grounded by Keach and Scott’s remarkable performances. Debuting on Blu-ray, Indicator’s Dual Format DVD combo is a great-looking transfer, which perfectly shows-off Ralph Woolsey’s scope photography and Boris Leven’s realistic production design. The accompanying thick (23-page) booklet is also a very welcome bonus.

SAINT JACK [1979] (Scorpion Releasing) – Following AT LONG LAST LOVE (1975) and NICKELODEON (1976), a pair of big-budget flops, Peter Bogdanovich decided to try something very different when he helmed this magnificent character study, which stars Ben Gazzara as Jack Flowers, a pimp in ’70s Singapore who aspires to opening his own brothel. While this was difficult to see for years in anything resembling a decent version, Scorpion went back to the original negatives and created an all-new HD Master, which looks spot-on. And to top it all off, numerous extras are also included, comprising two audio commentaries from Bogdanovich and film historian Ben Slater. Essential!

CATHY’S CURSE [1976] (Severin Films) – Long-relegated to overflowing VHS bargain bins and ubiquitous, cheaply-produced DVD collections, Eddy Matalon’s CATHY’S CURSE was given a whole new lease on life with Severin’s superb, eye-opening new transfer. Infinitely more enjoyable than ever before in this new incarnation, the film still remains a loopy mess, but Severin have also included plenty of interesting extras, including interviews with French director Matalon, as well as the film’s child star Randi Allen and her mother Joyce Allen. As an extra-special bonus, Severin have also included both the superior 91m director’s cut and the more familiar 82m U.S. cut. A terrific restoration indeed. Read review.

INQUISITION [1976] (Mondo Macabro / Red Case Edition) – Thanks to a number of Blu-ray companies, 2017 was, without a doubt, the year of Paul Naschy. The first, and one of the best Naschy releases of the year was this film, his directorial debut, set in 16^th century France. Naschy stars as Bernard De Fossey, an inquisitor sent to a small town to try and stamp-out heresy, however, his own personal demons and uncontrollable secret lusts soon begin to surface from within him... This superb release features a pristine new HD transfer taken from the film’s original negative and also incorporates a number of revelatory bonuses to help viewers better appreciate this wonderful if brutal film. Read review.

BLOODY FRIDAY [1972] (Subkultur Entertainment) – A true labour of love from the folks at Subkultur, Rolf Olsen’s nasty/sleazy crime flick was taken from then-current headlines, and is further boosted by Raimond Harmstorf’s no-hold-barred and completely non-PC performance. Released in a number of previous video editions both in the U.S. and Germany, the U.S. 2-disc Limited Collector’s Edition (as distributed by Mondo Macabro) contains no less than three (!) different cuts of the film, plus a substantial number of extras, including Sadi Kantürk’s exhaustive documentary A Cold Day, which runs almost two hours in length and interviews just about every still-living person associated with the film! A pair of audio commentaries, very detailed restoration documentaries, location tours and a number of trailers are also included, just for good measure, making this a truly outstanding release in every way! Read review.

CRY OF A PROSTITUTE [1974] (Code Red) – Long-unavailable in anything approximating a decent, English-friendly version, Andrea Bianchi’s uncompromisingly mean-spirited crime-meller finally arrived on Blu-ray courtesy of Code Red in a very pleasing new transfer of the uncut version. In a scenario that incorporates many a spaghetti western motif (including inevitable riffs on Leone/Eastwood’s A FISTFUL OF DOLLARS [1964]), Henry Silva plays Tony Anniante, a lone hitman who plays-off a pair of feuding mob families against each other, while the whole film is liberally suffused with plenty of scuzzily unforgettable action highlights. Directed with assured control and style by Bianchi, this can easily be regarded as his best film. Read review.

EXPLOSIVE EUROCRIME DOUBLE FEATURE (Dorado Films) – Following their first foray into the Blu-ray market with a Jess Franco Double Feature, Dorado Films decided to next tackle the world of Eurocrime with this stupendous set, featuring both Marino Girolami’s SPECIAL COP IN ACTION (1976) and Mario Caiano’s WEAPONS OF DEATH (1977), top-tier poliziotteschi both, which were long-overdue for a proper release. Dorado’s very Limited Edition also contains a bonus DVD of Alberto De Martino’s THE COUNSELLOR (1973), a very cool mini-replica of the WOD Italian pressbook, plus a couple of booklets featuring writings by genre go-to guy Roberto Curti, author of the must-have reference volume Italian Crime Filmography 1968-1980 (McFarland, 2013). Highly recommended! Read review.

DEATH LINE [1972] (Blue Underground) – Having been previously released by MGM as a no-frills DVD, Blue Underground recently went back to the original uncensored camera negative and made a new 2K scan of this outstanding film, and the results are extraordinary: it has never looked better! Blue Underground’s Dual Format Blu-ray / DVD combo also includes a wealth of new extras, including a lively audio commentary with director Gary Sherman, producer Paul Maslansky and assistant director Lewis More O’Ferrell. Other extras include numerous – very entertaining – featurettes, British and U.S. trailers (under A.I.P.’s re-titling RAW MEAT) and an excellent booklet with writing from Michael Gingold. A terrific disc all around!

BEYOND THE DARKNESS [1979] (Severin Films) – In 2011, Shriek Show released a heavily-compromised Blu-ray of this popular Joe D’Amato film, which was, quite frankly, a complete waste of the format’s capabilities. Luckily, Severin Films subsequently acquired the film, which is now in far better hands, and it shows. Easily one of D’Amato’s best films, Severin’s Blu-ray looks just about perfect, and it puts any other release of BTD to shame. Naturally, the good folks at Severin have also loaded their edition with a whole bucketful of special features, including Joe D’Amato: The Horror Experience, an almost 70m doc about the film’s director, as well as throwing in the original Cinevox soundtrack CD (featuring one of Goblin’s best scores) as an added bonus. A definitive, must-have Blu-ray to be sure. Read review.

THE SLAYER [1982] (Arrow Video) – Formerly a VHS staple, this atmospheric horror film pretty much got bypassed during the DVD craze, save for a couple of dodgy releases, which looked like nothing more than sub-par VHS rips themselves. Working with the original camera negative, Arrow Video commissioned a new 4K scan, and the results are spectacular, to say the least. It’s stunning work, which is further bolstered by some wonderful special features, including numerous audio commentaries, a thorough documentary on the film from Red Shirt Pictures’ Michael Felsher, location footage, and tons more. This is one of the finest restorations of the year and one of Arrow’s most surprising releases. Read review.

TWO FEMALE SPIES IN FLOWERED PANTIES [1980] (Severin Films) – Never before made officially available on U.S. or Canadian shores in any form, this hilariously odd and at times vicious ‘spy’ adventure is Jess Franco at his most unpredictable. Definitely not one for the casual Franco viewer, Severin Films have nonetheless packed their Blu-ray with oodles of goodies to try and sway potential newbies into entering Franco’s web of sleaze and espionage. Beginning with a typically rambunctious interview with Franco himself, this is followed by a rare interview with Franco’s long-time composer and collaborator Daniel White; a lengthy chat with Franco expert Stephen Thrower, as well as the film’s awkwardly-narrated – if unforgettable – Anglo export theatrical trailer. Severin goes on to further sweeten the deal with the inclusion of a bonus DVD (included with the first 3000 units only) of Franco’s alternate Spanish cut of the film, OPALO DE FUEGO (a.k.a. Merchants of Sex).

FANGO BOLLENTE [1975] (Camera Obscura) – Released as part of CO’s long-running “Italian Genre Cinema Collection”, Vittorio Salerno’s once difficult-to-see and socially-significant Italocrime film has really been given the red-carpet treatment. Joe Dallesandro stars as Ovidio, who, along with two pals, terrorizes the city while a grizzled old detective (played by the director’s big brother Enrico Maria Salerno, a true icon of Italocrime cinema) is determined to bring them down. Also known as THE SAVAGE THREE, this still highly-prescient film looks fantastic on CO’s Blu-ray and, as usual, they have has also provided a very informative commentary, as well as a couple of lengthy on-camera interviews with director Salerno and actor Dallesandro. Read review.

DON’T TORTURE A DUCKLING [1972] (Arrow Video) – Making its North American Blu-ray debut, Lucio Fulci’s unique – and in many people’s opinions, best – film has never looked better than it does here, despite the many trials and tribulations involved in its restoration process. A giallo film of the highest order that very nearly transcends the genre by mixing-in plentiful social/religious commentary into its controversial storyline.  As usual, Arrow Video include a number of terrific extras, including a feature-length audio commentary from Fulci expert Troy Howarth.

RAWHEAD REX [1986] (Kino Lorber Studio Classics) – Adapted from a short story taken from Clive Barker’s Books of Blood Volume 3 (1985), George Pavlou’s film was met with much scorn (especially from Barker himself) upon its initial release in ’86, and despite lots of enthusiastic press (including an incredible cover for Fangoria #61), the film died a quick death at the time. While flawed, RAWHEAD REX finally received a second chance courtesy of the busy folks at Kino Lorber in an impeccable new transfer and fully-stocked Blu-ray, which definitely sheds plenty of new light on this solid, no-nonsense creature feature.

THE THING [1982] (Arrow Video UK) – Following Scream Factory’s superb 2-disc Blu-ray from last year, Arrow Video decided to release their own Limited Edition of John Carpenter’s classic film, but while Scream Factory’s disc has plenty of interesting and different extras, Arrow Video’s new 4K restoration from the original camera negative (Scream’s 2K scan was taken from the Interpositive) is a total stunner, and the real star of the show here. Plus, Arrow have also produced some interesting new extras, including Who Goes There? In Search of The Thing from Ballyhoo Motion Pictures and 1982: One Amazing Summer (again from Ballyhoo), which covers some of the incredible genre films released that summer. An excellent, fully-illustrated booklet is also included, as are eight Collector’s Postcards, all of which come beautifully-packaged in yet another of Arrow’s impressive hardboxes. Between last year’s impressive release from Scream Factory and Arrow’s Limited Edition, fans of Carpenter’s enduringly popular film have much to be thankful for.

BLOODBEAT [1983] (Vinegar Syndrome) – Long-forgotten, this one-of-a-kind supernatural slasher flick from French director Fabrice Zaphiratos – who shot the film out in the wilds of rural Wisconsin, of all places – has, believe it or not, shown up on Blu-ray in a Limited Edition release no less! Zigzagging wildly between telekinesis and samurai killers (etc.), and boasting a wonderfully cheap synth score and much regional non-acting, BLOODBEAT somehow manages to coalesce into an unforgettable viewing experience. Restored from the original camera negative in 4K, VS have also decked-out their LE with a number of extras, which are every bit as interesting as the feature itself.

PAUL NASCHY COLLECTION II (Scream Factory) – 2017 also saw the release of the first Paul Naschy Collection from Scream Factory, which also housed five Naschy films in glorious HD and, although it’s a marvelous set, all the titles were previously released on DVD via BCI/Eclipse back in 2007/2008. With Volume Two however, Scream have issued a number of previously-unreleased or otherwise poorly-released titles (well, at least here in the U.S.) onto the Blu-ray format for the first time. These include Javier Aguirre’s gruesome HUNCHBACK OF THE MORGUE (1972), Leon Klimovsky’s Italian-lensed Spanish giallo A DRAGONFLY FOR EACH CORPSE (1973) and his take on Gilles De Rais, THE DEVIL’S POSSESSED (1974); Juan Bosch’s EXORCIST rip-off, EXORCISM (1974), which did receive a quite excellent DVD from BCI back in 2008; and finally, M.I. Bonns’ long sought-after THE WEREWOLF AND THE YETI (1975), which might perhaps be better-known to some as NIGHT OF THE HOWLING BEAST (its 1977 stateside theatrical release title from Sam Sherman’s Independent-International Pictures). This new set features a couple of highly-informative commentaries courtesy of Rod Barnett and Troy Guinn from NaschyCast, and author Troy Howarth (who has a career-spanning book on Naschy in the works via Wildside/Kronos [“WK”] Books as we speak). A wonderfully-written booklet from Naschy expert Mirek Lipinski is also included.

TRAILER TRAUMA PART 4: TELEVISION TRAUMA (Garagehouse Pictures) – Following their incredible 2-disc TRAILER TRAUMA PART 3: ’80s HORROR-THON release, Garagehouse Pictures have decided to celebrate the long-forgotten TV spots of yesteryear. Combining a whopping 269 tele-spots, this ambitious compilation moves along briskly and is, quite possibly, the fastest three hours you’ll spend in front of your TV. A perfect – and once again, indispensable – follow-up to TT3. Read review.

SUSPIRIA [1977] (Synapse Films) – Thanks to the meticulous restoration from the perfectionists at Synapse Films, this eagerly-anticipated Blu-ray of Dario Argento’s masterpiece can very easily be regarded as the definitive release. Argento’s already stunning film looks absolutely gorgeous here. Supplemented by an incredible array of extras, including the soundtrack CD and housed in a beautiful Steelbook, Synapse’s new 40^th Anniversary 4K restoration is a real knockout! If you’re going to buy one Blu-ray this year, this should be it!

Needless to say, it would be remiss of me not to mention the American Genre Film Archive (AGFA)’s exciting new line of Something Weird Video titles on Blu-ray, Film Movement Classics’ impressive Joe Sarno Retrospect Series and Vinegar Syndrome’s Sexploitation Signature Series, all of which triumphantly celebrate early sexploitation and/or horror efforts.

AMERICAN GENRE FILM ARCHIVE (AGFA) – They burst onto the scene earlier this year with Tom Hanson’s THE ZODIAC KILLER (1971), a nutty, zero-budget take on the Zodiac murders that has a far more interesting back story than anything occurring in its running time, and which is also nicely-detailed on AGFA’s Blu-ray. In addition, they’ve also included Dave A. Adams’ bizarre, almost incomprehensible, ANOTHER SON OF SAM (1977), which, like the main feature, has also been scanned in 2K! Then, later in ’17, they issued William Morgan’s Ed Wood-scripted girl-gang classic THE VIOLENT YEARS (1956), which included another great Frank Henenlotter audio commentary with Wood biographer Rudolph Grey, as well as Boris Petroff’s public domain mainstay ANATOMY OF A PSYCHO (1961), mastered in 2K, no less (!), but then AGFA and SWV really blew people’s minds when they unleashed BAT PUSSY (197?) onto an unsuspecting public, an almost inconceivable bit of sleazy hokum, which is also regarded to be one of the first ‘porn parodies’ and amounts to one of the more (ahem) unforgettable ‘films’ you may see this year! And yeah, there’s even an audio commentary from Lisa Petrucci and Tim Lewis from SWV; a cool gallery of ‘crime-smut’ trailers, as well as yet another mysteriously-made quickie, ROBOT LOVE SLAVES (1971). Mutha***kin’ incredible!

FILM MOVEMENT CLASSICS – In what promises to be an ongoing collection of releases dedicated to the works of one-of-a-kind director Joe Sarno, Film Movement has, thus far, released two volumes in this their ambitious series. Volume One features a new 2K transfer of Sarno’s gothic horror tale VAMPIRE ECSTASY (a.k.a. THE DEVIL’S PLAYTHING, 1973), which was paired-up with Anthony Farrar’s Sarno-scripted SIN YOU SINNERS (1963). VAMPIRE ECSTASY producer Chris Nebe provides an informative audio commentary, while other extras include interviews, trailers and a nicely-produced booklet of liner notes with writing from Tim Lucas, who offers some insightful thoughts on the films. Volume Two includes ALL THE SINS OF SODOM (1968) and VIBRATIONS (1968), two of Sarno’s best-realized films, which, as with Volume One, are also supplemented by some wonderful extras, including an archival interview with Sarno, an audio commentary with Sarno’s wife Peggy Steffens-Sarno and Tim Lucas.

VINEGAR SYNDROME – Kick-starting their Sexploitation Signature Series with one of Joe Sarno’s more alluring and distinctive films, 1966’s RED ROSES OF PASSION, VS’ 2K transfer from the original negative is absolutely stunning, and although extras are sparse (a video interview with Sarno historian Michael Bowen is included, however), the impeccable, near-perfect transfer more than makes for up for it. Volume 2 included Bernard Hirschenson’s THE PICK-UP (1973), a Crown International-distributed title, which has been restored to its original cut. Entitled PAZUZU, the film is most certainly ripe for rediscovery, but the real kicker in this set is the inclusion of Jerald Intrator’s ORGY AT LIL’S PLACE (1963), a William Mishkin-produced sexploitation film co-produced and photographed by Hirschenson. With Volume 3, Vinegar Syndrome delved into the world of Andy Milligan with SEEDS (1968), which can now be regarded as one of his best films, especially in this new-and-heretofore-unseen director’s cut, which comes as a true revelation. Presented as a double feature, the disc also includes Milligan’s debut film, VAPORS (1965), which, like SEEDS, has also been scanned in 4K(!). Featuring a shit-ton of extras, the set also includes the more familiar sexploitation version SEEDS OF SIN. These are three amazing releases in what promises to be one hell of a series!

 

HIGHLY-HONOURABLE MENTIONS:

ABSURD (88 Films), AMUCK! (Camera Obscura), ANTHROPOPHAGOUS (88 Films / Remastered 2^nd Edition), THE APARTMENT (Arrow Academy / Limited Edition), THE BIRD WITH THE CRYSTAL PLUMAGE (Arrow Video / Limited Edition), BLACKENSTEIN (Severin Films), THE BLOOD-SPATTERED BRIDE (Mondo Macabro), BRAIN DAMAGE (Arrow Video), THE CLIMBER (Arrow Video), DAY OF THE JACKAL (Arrow Video UK), DEMON WIND (Vinegar Syndrome), THE DEVIL’S HONEY (Severin Films), DRACULA, PRISONER OF FRANKENSTEIN (Al!ve), DRIVE-IN MASSACRE (Severin Films), FRANKENSTEIN ’80 (’84 Entertainment), GEORGE A. ROMERO: BETWEEN NIGHT AND DAWN (Arrow Video); HACK-O-LANTERN (Massacre Video / Limited Edition), HAMMER VOLUME ONE: FEAR WARNING! (Indicator), HOUSE: THE COLLECTION (Arrow Video UK / Limited Edition), JESS FRANCO TRIPLE BILL (Mondo Macabro), THE KLANSMAN (Olive Films), MICKEY ROSE (Indicator), MILDRED PIERCE (Criterion Collection), ONE DARK NIGHT (Code Red), THE PHANTASM COLLECTION (Well Go), THE PHILADELPHIA STORY (Criterion Collection), RE-ANIMATOR (Arrow Video / Limited Edition), RUMBLE FISH (Criterion Collection), THE SINBAD TRILOGY (Indicator), THE STENDHAL SYNDROME (Blue Underground / Limited Edition), SUSPICIOUS DEATH OF A MINOR (Arrow Video), SWEET BABY CHARLIE (a.k.a. THE SADIST, Code Red), TERROR IN A TEXAS TOWN (Arrow Academy), THEY SHOOT HORSES, DON’T THEY? (Kino Lorber Studio Classics), THE UNHOLY (Vestron Video Collector’s Series), WEB OF THE SPIDER (Garagehouse Pictures), THE WANDERERS (Kino Lorber Studio Classics), WHO’LL STOP THE RAIN (Twilight Time), A WOMAN’S TORMENT (Vinegar Syndrome) and THE YAKUZA (Warner Archive Collection).