This was another transformational year for Blu-rays and 4K discs, which proves once again that physical media continues to flourish, even in today’s predominantly driven collector’s market. Thanks to essential, hard-working ‘boutique’ labels at the forefront of this ‘golden age’ of physical media, we have seen immaculate 4K discs of much-beloved ’80s classics like Robert Harmon’s THE HITCHER (1986) from Second Sight Films, several stunningly curated box sets like Severin Films’ ALL THE HAUNTS BE OURS – A COMPENDIUM OF FOLK HORROR VOLUME 2, and an abundance of previously unreleased and/or highly-requested films like Michael Mann’s THE KEEP (1983) from Vinegar Syndrome, to name just a few. It’s been an amazing year, so without further delay, let’s dig in and take a look at Unpopped Cinema’s favourite 4K and Blu-ray discs of 2024!
ALL THE HAUNTS BE OURS – A COMPENDIUM OF FOLK HORROR VOLUME 2 [1952 – 2024] (Severin Films) – As remarkable and thorough as Severin’s first folk horror box set was, their second volume (again curated by the amazing and seemingly tireless Kier-La Janisse) turns out to be even more impressive. Spread out over 13-discs, this latest set collects together another staggering array of folk horror films (including a couple of productions made specifically for this set) from all over the world, which are sure to please and surprise even the most jaded cinephiles. Some of the many highlights include new restorations of undeniable classics like John Llewellyn Moxey’s THE CITY OF THE DEAD (a.k.a. HORROR HOTEL, 1960) and Don Sharp’s PSYCHOMANIA (1973), alongside several previously unseen treasures, which include Yoshihiro Ishikawa’s BAKENEKO: A VENGEFUL SPIRIT (1968), Mike De Leon’s THE RITES OF MAY (1976) from the Philippines, Sisworo Gautama Putra’s Indonesian SUNDELBOLONG (1981) with the amazing Suzzanna (who is even afforded a feature-length documentary in David Gregory’s SUZZANNA: THE QUEEN OF BLACK MAGIC [2024]), Gwaai Edenshaw’s and Helen Haig-Brown’s Canadian EDGE OF THE KNIFE (2018), the “world’s first Haida-language feature film”, and plenty more besides! Of course, all of the features also include a bounty of special features (which are too numerous to mention) to help contextualize the mythos of each film and their place within the world of folk horror. And if that weren’t enough, this attractively-designed box set also includes a booklet with detailed information on each film, and a 252-page (!) hardcover book, which collects “newly-commissioned folk horror fiction” from writers that include Kim Newman, Ramsey Campbell, and Eden Royce, to name just a few. Exceptional in every way, this easily ranks as one of, if not, the best release of the year!
BLONDE ON A BUM TRIP [1968] (Distribpix, Inc.) – One of the most jaw-dropping sexploitation films to come out of the Distribpix vaults, this extraordinary bit of New York lensed counterculture tells a fairly conventional story of an innocent girl who gets mixed-up with the wrong crowd, but director Raf Mauro and writers Ed Adlum (director of INVASION OF THE BLOOD FARMERS [1972]) and Jack Bravman instill their film with an unforgettably heady atmosphere and plenty of lascivious behaviour: drug parties, lots of simulated sex, choice dialogue (“Sock it to me, baby!”), and several catchy songs from the likes of The E-Types, The Vagrants, and Bit A’Sweet make this sexploitation scare film one of the best of the bunch. As with Distribpix’s earlier release of Michael Findlay’s THE FLESH TRILOGY, viewers will be gobsmacked at the picture-perfect clarity of the 4K scan, which also comes packed with a ton of magnificently enlightening special features including a pair of audio commentaries with Adlum and Mauro (moderated by the late great Howie Pyro) and one with Bravman and Distribpix’s Steven Morowitz. Other extras include a few LSD scare films from the SWV vaults, the film’s theatrical trailer and a thick booklet with writing from Pyro and Something Weird Video’s Lisa Petrucci. And let’s not forget about Distribpix’s other must-have collaborations with SWV from 2024, which include the Joe Sarno double-feature THE BED AND HOW TO MAKE IT (1966) and NUDE IN CHARCOAL (1961), and their triple feature RON SULLIVAN: THE EARLY YEARS. Do yourself a favour, and grab those too!
BLOOD-A-RAMA TRIPLE FRIGHTMARE II [1964 – 1966] (AGFA) – Following their first BLOOD-A-RAMA TRIPLE FRIGHTMARE Blu-ray from 2021, AGFA’s real coup here is the restoration of the once thought-to-be-lost uncut version of Richard S. Flink’s and Gordon H. Heaver's ‘gore’ film LOVE GODDESSES OF BLOOD ISLAND (a.k.a. SIX SHE’S AND A HE, 1964), which was made in the wake of Herschell Gordon Lewis’ BLOOD FEAST (1963). Previously available as an incomplete version only (the film first showed up as an excerpt on Something Weird Video’s double feature DVD of William Grefe’s DEATH CURSE OF TARTU [1966] and STING OF DEATH [1966]), the missing elements were recently located at the Library of Congress (thanks to Vinegar Syndrome’s Joe Rubin) while another 35mm print was being stored at the Harvard Film Archive! Add to all this, newly-remastered editions of T.L.P. Swicegood’s THE UNDERTAKER AND HIS PALS (1966) and Richard W. Bomont’s sadistic short subject FOLLOW THAT SKIRT (1965), along with a bevy of trailers, intermission shorts and “drive-in snipes” (which can also be watched in one long uninterrupted program), and you’ve got a treasure-trove of weird delights in the best tradition of Something Weird Video’s heyday.
BLOODLINE [1979] (Vinegar Syndrome Labs) – Based upon Sidney Sheldon’s novel of the same name, this was one of Audrey Hepburn’s last starring roles, which saw her reunite with her WAIT UNTIL DARK (1967) director Terence Young. A big budget giallo whodunit, BLOODLINE weaves a decidedly intricate web, where just about everybody involved has got a dirty secret or even a dusty skeleton (sometimes even two) hanging in their closet. When pharmaceutical magnate Sam Roffe dies during a mountain climbing ‘accident’ in Switzerland, his estranged daughter (Audrey Hepburn) becomes her father’s successor as president of a vast business empire, but when she decides not to sell off the company, her “jet-set” cousins, who also have their eyes on the fortune, try to convince her otherwise as a killer tries to whittle down the opposition. Despite the film’s poor critical notices and some rather ridiculous scripting, this still manages to be an absorbing and highly entertaining picture with a plot that is simple enough, even with all the ulterior motives, blind ambition and blackmail set within the film’s large canvas. Plus, the large cast of veteran stars which include Ben Gazzara, James Mason, Romy Schneider, Omar Sharif, Irene Papas, and Gert Frobe, doesn’t hurt the film’s entertainment value one bit. Long-unavailable on North American home video, VS have really come to the rescue of this fascinating – but equally flawed – film with a gorgeous 4K transfer taken from the original camera negative, which allows Freddie Young’s photography to shine in all its splendour. On the extras front, Mondo Digital’s Nathaniel Thompson and author Troy Howarth also provide one of their many detailed audio commentaries, alongside a couple on-camera interviews with the film’s second assistant director and stunt driver. However, the most surprising extra is the inclusion of the long-unseen 141-minute television version, which goes a long way to help better explain some of the film’s more convoluted plotlines. While not for everyone, it’s great to have this back in circulation and looking so good.
THE CASE OF THE BLOODY IRIS [1972] (Celluloid Dreams) – Easily ranking with the very best of its kind, this wonderful Italian giallo made its worldwide 4KUHD debut earlier this year as Celluloid Dreams’ inaugural release, which looks nothing short of phenomenal. Porting over all of the special features from Shameless’ 2018 Blu-ray, CD have also included a newly-filmed interview with the film’s writer Ernesto Gastaldi, a thorough image gallery, and an outstanding audio commentary from CD’s Guido Henkel. An easy buy for fans and newcomers alike, Celluloid Dreams’ debut release is a real knockout which comes highly recommended! Read review.
FORGOTTEN GIALLI – VOLUME 7 [1983 – 1987] (Vinegar Syndrome) – In what is perhaps one of their more interesting collections in this long-running series, VS brings together Carlo Vanzina’s MYSTERE (1983), Piccio Raffanini’s OBSESSION – A TASTE FOR FEAR (1987) and Franco Ferrini’s SWEETS FROM A STRANGER (1987), a trio of distinctive and equally ambitious gialli from the ’80s, which effectively demonstrate how some of this material can be spun in new and exciting ways. Packaged in one of their customary hard boxes, this superb 3-disc set comes equipped with insightful audio commentaries, and a multitude of on-camera interviews, which even include directors Raffanini, Ferrini, and Carlos’ brother Enrico, and go a long way to help better appreciate these once truly “forgotten gialli.” Read review.
THE GAME OF CLONES – BRUCEPLOITATION COLLECTION VOL. 1 [1974 – 1984] (Severin Films) - With the sudden passing of actor Bruce Lee in 1973, who was on the cusp of worldwide superstardom, and whose last film, Robert Clouse’s ENTER THE DRAGON (1973) had just hit theatres, seldom have filmmakers and distributors sought so earnestly to take advantage of – and even camouflage - Bruce Lee’s death with a seemingly endless stream of rip-offs, spin-offs and wannabe sequels, which have since become known as Bruceploitation films. Capped off by David Gregory’s ENTER THE CLONES OF BRUCE (2023), a fascinating deep-dive documentary on the subject, this 8-disc, 14-film box set (co-curated by martial artist, actor, and Bruceploitation Bible head honcho Michael Worth and Hong Kong film historian Frank Djeng) finally sheds some light on these highly-entertaining kung fu films with an embarrassment of riches in the form of audio commentaries and several expertly-produced special features, which easily makes this superb box set one of the very best releases of the year! Read the review in three parts here (1), here (2), and here (3).
HANDGUN [1983] (Fun City Editions) – The alluring mystique of the Gun and the empowerment it endows to the powerless was by no means a new topic to Hollywood, as evidenced in Michael Winner’s treatise on gun violence in the original DEATH WISH (1974). Proceeding from a similar fundamental basis (albeit from the opposite political viewpoint), Tony Garnett’s thought-provoking HANDGUN (a.k.a. DEEP IN THE HEART) stars Karen Young as Kathleen, a schoolteacher from Boston who has accepted a new job in Dallas. When she is set up with a successful lawyer and eligible bachelor named Larry (Clayton Day), who believes in Texas’ social climate of justifying the use of a gun for defense or person, family, and property, his outwardly friendly demeanour soon changes for the worse when she rejects his advances, and he takes what he wants at gunpoint. Of course, as further threats increase, so do Karen’s protective measures, which sees her half-heartedly purchase a gun (an obvious illustration of the dangers this form of self-defense entails), who then proves to be a natural born marksman, exceeding most of the men at the local sharpshooting range. While HANDGUN has all the earmarks of a typical revenge-meller, British director Garnett has a very different viewpoint in this socio-politically aware drama, which is skillfully anchored by Karen Young’s naturalistic performance and her steadily mounting apprehension, even as she seeks revenge. Although extras are rather light, Fun City have included a solid audio commentary from film historians Erica Shultz and Chris O’Neill, a brief archival interview with the director, and an excellent booklet with writing from the always astute Alexandra Heller-Nicholas.
HIGH CRIME [1973] (Blue Underground) – In addition to being ace action director Enzo G. Castellari’s (a.k.a. Enzo Girolami) inaugural Eurocrime outing, HIGH CRIME became a huge box office success in Italy and other parts of Europe, and, as with Stefano Vanzina’s THE EXECUTION SQUAD (1972), was a major influence on a whole wave of ’70s Italian cop films (especially those starring Maurizio Merli, whose career it launched via VIOLENT ROME). In this way-above-par effort, Franco Nero stars as Commissioner Belli, an enraged squadra volonte (“Flying Squad”) cop who is on the sniff for the Lebanese connection in the dope-saturated port city of Genoa. Pumped along by Guido and Maurizio De Angelis’ fast-paced score, Castellari directs with an exciting panache where violence is bloody and sadistic, and is sometimes delivered in Peckinpahesque slo-mo, a typical Castellari trademark. Finally affording this seminal Eurocrime picture the respect it deserves, Blue Underground’s 3-disc set (which includes one UHD, one Blu-ray, and a soundtrack CD) features a stunning 4K restoration of the film’s uncut version, and several topnotch special features including three (!) separate audio commentary tracks (which for the record include one with director Enzo G. Castellari and BU’s William Lustig, one with Franco Nero and Mike Malloy, and lastly with film historians Nathaniel Thompson, Troy Howarth and Eugenio Ercolani), and a wealth of on-camera interviews with Castellari, Nero, actor/stuntman Massimo Vanni, the De Angelis brothers, and plenty more besides! HIGH CRIME is a long-time favourite, and should become one of yours as well!
THE HITCHER [1986] (Second Sight Films) – Over the last few years, U.K. based label Second Sight Films have become one of the more exciting boutique labels around with their impressive slate of all-encompassing box sets. Still absent on North American UHD (or even Blu-ray for that matter), Robert Harmon’s THE HITCHER follows a rather rudimentary premise about a young man (C. Thomas Howell) who is tormented by a psychotic hitchhiker (Rutger Hauer), but Harmon’s complete mastery of the medium (and Eric Red’s tight script) is such that he places the viewer dead-centre amongst the action while gradually exploring the psyche of each character; it’s quite unlike anything else he ever directed, which is one of the reasons it’s such an absolute gem. Featuring a pristine 4K transfer supervised by director Harmon (which helps better appreciate the amazing work of DP John Seale), the limited-edition set includes numerous audio commentaries, several newly-filmed and archival interviews, a 200-page (!) hardback book, and the film’s original screenplay, all of which is set inside a beautifully-designed rigid box. Needless to say, this comes highly recommended!
HOLLYWOOD 90028 [1973] (Grindhouse Releasing) – Sometimes known as THE HOLLYWOOD HILLSIDE STRANGLER, this moody character study follows Mark (Christopher Augustine) who plods away making porn loops for a living, even as he aspires to be a real cameraman. In between work, he cruises the local strip joints and peep shows looking for women to strangle. Although primarily marketed as a sleazy horror film, Christina Hornisher’s picture is both cerebral and horrific in its portrayal of alienation and loneliness, and much like Martin Scorsese’s subsequent TAXI DRIVER (1976), the film attains an unsettling harmony between gritty urban realism and surreal lapses into fantastic wish-fulfilment. By far one of the best discoveries of the year, Grindhouse Releasing brings this forgotten mini-masterpiece to home video in typically grand fashion with their 3-disc set, which features yet another stellar restoration, tons of special features (including the alternate TWISTED THROATS reissue version), a soundtrack CD of Basil Poledouris’ score, and a bunch of hidden Easter eggs, which further sweeten an already amazing release.
THE HOUSES OF DOOM [1989] (Cauldron Films) - Oft-neglected and lesser-appreciated, these made-for-TV Italo horror pictures included in this superb 4-disc box set (which for the record include Lucio Fulci’s THE HOUSE OF CLOCKS [1989] and THE SWEET HOUSE OF HORRORS [1989], and Umberto Lenzi’s THE HOUSE OF WITCHCRAFT [1989] and THE HOUSE OF LOST SOULS [1989]) finally get the respect they deserve in this highly-welcome Blu-ray collection, which not only includes excellent 2K restorations of each film, but a wealth of special features including audio commentaries, a ton of on-camera interviews courtesy of Eugenio Ercolani, and two soundtrack CDs! Read review.
THE HUNGRY SNAKE WOMAN [1986] (Mondo Macabro) – Whenever a new Indonesian horror film is announced for release, it will most likely be a remarkable delight, but nothing can prepare viewers for this not-to-be-missed bit of insanity from genre specialist Sisworo Gautama Putra and Indonesian “Queen of horror” Suzzanna. Although light on special features (the limited red case edition does contains an excellent 16-page booklet from MM’s Pete Tombs), this is one of the most purely enjoyable releases of the year, and for that alone, it’s reason enough to celebrate.
I WALKED WITH A ZOMBIE / THE SEVENTH VICTIM [1943] (Criterion Collection) – Produced by Val Lewton, it’s great to finally have these moodily mono-chromatic gems on 4K and Blu-ray, which easily rank with the best genre offerings the decade - or any decade for that matter - had to offer. It goes without saying that Criterion’s new 4K editions of Jacques Tourneur’s I WALKED WITH A ZOMBIE (1943) and Mark Robson’s THE SEVENTH VICTIM (1943) is the optimal way to go for those who want to see these atmospheric classics at their absolute best, both of which are nicely complimented by several wonderful special features.
INSIDE THE MIND OF COFFIN JOE [1964 – 2008] (Arrow Video) – Considering José Mojica Marins’ enduring cult status, it’s rather surprising it took so long for a box set of his films to finally materialize on North American disc. Gathering together most of his iconic classics, there’s much to appreciate in this set including new 4K transfers of each film and a huge selection of special features (which also includes a nicely-illustrated collector’s book) in a release that a cinematic luminary such as Marins truly deserves.
THE KEEP [1983] (Vinegar Syndrome) – Thanks to their collaboration with Paramount Pictures, it’s great to see VS finally dig this picture out of the vaults, and while it remains deeply-flawed, Michael Mann’s sophomore theatrical effort is every bit as slick and mesmerizing as his many crime sagas, which looks stunning on this much-desired 4K disc. A perfect case of style-over-substance, most of the actors do their damnedest to keep the convoluted mumbo-jumbo narrative from spiraling out of control, but Alex Thomson’s breathtaking photography and John Box’s remarkable production design are a real feast for the eyes, and along with Tangerine Dream’s haunting synth score help elevate THE KEEP out of the darkness.
LITTLE DARLINGS [1980] (Cinématographe) – Garnering a large cult status over the years, Ron F. Maxwell’s ahead-of-its-time, coming of age picture starring teen superstars Kristy MacNichol and Tatum O’Neal fell by the wayside following it’s VHS and LaserDisc releases due to the usual music licensing issues. Well, thanks to Vinegar Syndrome’s sub-label Cinématographe, they have finally cleared up all those pesky problems with Paramount Pictures and brought the film to both 4K and Blu-ray as their inaugural release. Loaded with special features, which even includes a fascinating audio commentary with the film’s director, let’s hope this wonderful release will allow more people to discover this hidden gem of American cinema.
LOOKING FOR MR. GOODBAR [1977] (Vinegar Syndrome) – Mired in music licensing hell for decades, Richard Brooks’ darkly fascinating picture finally makes its official worldwide disc debut (in glorious 4K, no less!) in what is yet another liberation from the Paramount vaults. Based on Judith Rossner’s 1975 best-selling true-crime novel of the same name, Diane Keaton stars as Theresa Dunn, an amiable inner-city schoolteacher of deaf children who rebels against her conservative upbringing by cruising the local dive bars and late-night discos looking for love any way she can find it, which eventually leads to some increasingly violent altercations. Anchored by Keaton’s memorable performance, she commands the screen right from the get-go with a brilliant, multi-layered portrayal of a women who maintains that she is “alone, not lonely” even as she endures the violent and possessive nature of the many men she meets. Despite the picture’s poor critical notices during its initial theatrical release, this remains one of the essential works of the ’70s, which looks dazzling on this must-own, extras-filled disc.
A MAN ON HIS KNEES [1979] (Radiance Films) – One of director Damiano Damiani’s lesser-seen, but no less compelling Sicilian crime dramas about irredeemable human corruption, the film stars Giuliano Gemma as a reformed-car-thief-turned-small-businessman Nino Peralta, who is inadvertently targeted as part of a major underworld purge, but then decides to plead his case to contract killer killer Antonio Platamone (Michele Placido). Occasionally prone to unpredictable bursts of unglamourized violence, both Gemma and Placido give highly credible performances in this thoughtfully plotted, well-scripted picture, which is well-supported via Radiance Films’ beautiful 4K restoration and a nice selection of special features including interviews with Gemma, actor Tano Cimarosa, and assistant director Mino Giarda. An excellent booklet with writing from Roberto Curti is also included.
NINJA TERMINATOR [1986] (Neon Eagle Video) – Of all the countless ninja movies produced during the ’80s and ’90s courtesy of Joseph Lai’s notorious IFD Films, this Godfrey Ho bit of insanity is easily one of the company’s crowning jewels. Featuring a remarkable restoration, this new disc looks and sounds terrific, and benefits tremendously from the boost in picture quality. As was typical for this kind of low-rent fare, much of the film was taken from an existing source, this time from Kim Si-hyun’s THE UNIVITED GUEST OF THE STAR FERRY (1984), which is also included on this two-disc limited edition alongside an ample number of special features that also incorporates a lengthy IFD Ninja Trailer Reel and a 40-page perfect bound book.
OPERA [1987] (Severin Films) – Back in 2019, Scorpion Releasing’s 3-disc set of Dario Argento’s “last true masterpiece” landed on Unpopped Cinema’s year-end list, which was touted as “the final word on the film”, but here we are again five years later with Severin Films’ epic five-disc set (!), which easily outclasses Scorpion’s previous release. Encompassing one UHD, three Blu-rays and a soundtrack CD, Severin’s newly scanned 4K restoration (in HDR-compatible Dolby Vision) doesn’t disappoint with Argento’s extremely strong visuals and stunning sound design looking and sounding the best they ever have. As usual, Severin have packed their set with tons of illuminating audio commentaries, alternate presentations, documentaries (including The Eyes of Opera with the film’s elusive star Cristina Marsillach), interviews, behind-the-scenes footage, and so much more! It really is an embarrassment of riches and more than enough incentive to double or even triple dip, so grab it before it disappears!
RED TO KILL [1994] (Error_4444) – One of the most outrageous Category III films ever conceived, this unrelenting rape/revenge film definitely pushes the limits with its supremely nasty subject matter, but it’s filmed with such stylistic flare, it’s virtually impossible to ignore, and remains one of director Billy Tang’s most unforgettable – and certainly most challenging – films. Featuring a new “2K uncut restoration”, the film looks fantastic, which is ably complimented by a host of informative special features including a terrific, well-researched audio commentary from Cinema Arcana’s Bruce Holecheck and Ultra Violent’s Art Ettinger. And for those that can’t get enough, Error_4444 also released Billy Tang’s RUN AND KILL (1993), Billy Tang’s other Category III film, which also comes highly-recommended.
RUSS MEYER’S VIXEN TRILOGY [1968 – 1979] (Severin Films) – Given Severin Films’ already stacked release schedule this past year, they performed a real miracle when they also secured the home video rights to Russ Meyer’s highly-sought after catalogue. Featuring stellar restorations (VIXEN was sourced in conjunction with the Musuem of Modern Art [MoMA] who held the film elements), these 4K and Blu-ray releases (which also include SUPERVIXENS [1975] and BENEATH THE VALLEY OF THE ULTRAVIXENS [1979]) are shockingly good in terms and clarity and detail, which make the director’s audacious filmmaking style really come to life, but Severin have also gone the extra mile and produced many new special features and ported over tons of existing extras as well, which go a long way to help better appreciate the broader career and genius that is Russ Meyer. This trio of releases is an occasion that needs to be applauded.
SEX APOCALYPSE [1982] (Mondo Macabro) – Difficult to see in anything resembling a watchable copy for decades, this may be the quintessential example of a “S Clasificada” picture (low-budget programmers, which incorporated large doses of sex and/or violence into their storylines), which director Carlos Aured serves up with scuzzy, unapologetic gusto. Highlighted by a detailed audio commentary with Nathaniel Thompson and Troy Howarth, and an exceptional on-camera interview with director / screenwriter / actor Richard Vogue who provides a very thorough history of these sex-filled extravaganzas, MM have also included the film’s alternate 106m hardcore version [!], which was made available on their initial limited ‘red case’ edition. Oozing sheer, undiluted sleaze, Carlos Aured’s SEX APOCALYPSE is certainly not for all tastes, but Mondo Macabro’s pristine Blu-ray ranks alongside some of the label’s most unforgettable and eye-opening releases to date! Read review.
TRICK OR TREAT [1986] (Red Shirt Pictures & Synapse Films) – Sold out in a matter of days, this outstanding 3-disc limited edition set of director Charles Martin Smith’s ’80s heavy metal horror classic not only pulls a beautiful 4K transfer from the film’s original camera negative (approved by DP Robert Elswit, no less!), but more special features than one expects with many of the principal cast and crew, which is topped off by Rock & Shock: The Making of Trick or Treat, a terrific feature-length documentary. This elaborate set also comes with the film’s CD soundtrack album, which only sweetens an already must-have package.
HIGHLY HONOURABLE MENTIONS, which are also very worthy of your time and your hard-earned cash!
2020 TEXAS GLADIATORS (Severin Films UHD/BD/CD combo), THE BLAIR WITCH PROJECT (Second Sight Films BD), BURIAL GROUND (Severin Films UHD/BD), CALIGULA (Umbrella Entertainment UHD/BD), CONAN THE BARBARIAN (Arrow Video UHD), THE CULT OF AGFA TRAILER SHOW (AGFA BD), GODDBYE UNCLE TOM (Blue Underground UHD/BD/CD combo), DAIEI GOTHIC JAPANESE GHOST STORIES (Radiance Films BD), DANZA MACABRA VOLUME THREE – THE SPANISH GOTHIC COLLECTION (Severin Films BD), EYEBALL (88 Films UHD/BD), HEAVENLY BODIES (Fun City Editions BD), HUSH (Scream Factory UHD/BD), I WANT TO GET EVEN (Neon Eagle Video BD), INTREPIDOS PUNKS / VENGEANCE OF THE PUNKS (Vinegar Syndrome BD), INVASION OF THE BODY SNATCHERS (Kino Lorber UHD/BD), PAPER MOON (Criterion Collection UHD/BD), PAT GARRETT & BILLY THE KID (Criterion Collection UHD/BD), PHASE IV(Vinegar Syndrome UHD/BD), PLANET OF THE VAMPIRES (Radiance BD), THE ROARING TWENTIES (Criterion Collection UHD/BD), SATANIK (Terror Vision BD), SLAP THE MONSTER ON PAGE ONE (Radiance Films BD), THROUGH THE LOOKING GLASS (Melusine UHD/BD), EL VAMPIRO – TWO BLOODSUCKING TALES FROM MEXICO (Indicator BD), WHO KILLED TEDDY BEAR? (Cinematographe UHD/BD).
