One of the more elusive entries in Maurizio Merli’s extensive Italocrime filmography, Giorgio Cristallini’s SEAGULLS FLY LOW (1978) unfolds at a decidedly leisurely pace, and has more in common with film noirs than the more traditional vigilante cop shoot-’em-ups Merli usually inhabits. A long-time victim of shoddy VHS releases, Cineploit Records & Discs’ new “worldwide 2K Blu-ray premiere” is yet another first-rate disc in their ever-growing catalogue of Euro Cult releases.
Looking disheveled, and sporting a thick handlebar moustache under a mop of matted hair, Merli stars as Jeff Jacobson, a Vietnam deserter who occasionally resorts to murder due to economic circumstance. Often referred to as “The Mechanic”, Jeff arrives in Rome after he is blackmailed to do a “job” for corrupt industrialist Roberto Micheli (Mel Ferrer, in a part originally envisioned for Ray Milland), by killing Mauro Martini, one of his business associates who “wanted to testify before the commission”. Following a long, suspense-filled drive from the airport wherein two of Micheli’s associates (including the always charismatic Franco Garofalo) keep a close eye on him, Jeff fulfills his contract quickly and efficiently, but a sudden ’Nam flashback (cheaply executed through stock footage of war atrocities tinged with a blood-red filter) exposes his vulnerability. Later that day at the airport, his jittery disposition comes to fruition when he is spooked during a routine passport check and flees. He promptly returns to Roberto who begrudgingly helps him create a new identity (he basically cuts his hair and shaves his mustache) and arranges yet another passport for him, this time under the name Albert Morgan.
But then Micheli’s other business partner, Giorgio Calvi (Andrea Esterhazy) becomes increasingly paranoid, and as a protective measure, orders a hit on both Jeff and Micheli. While eluding his killers, Jeff must also try and track down his new passport, which not only leads him to Umparo (Dagmar Lassander), one of of Micheli’s many influential friends, but also Isabelle Michereau (Nathalie Delon), a shopkeeper who agrees to help him…
Obviously taking a cue from Jean Pierre Melville’s masterpiece LE SAMOURAÏ (1967), and even sharing that film’s co-star, much of SEAGULLS FLY LOW mid-section concerns itself with the lead character’s psychological stress and mounting paranoia, with Merli giving a highly credible performance as the nervous hitman; a nice change of pace for the usually typecast actor. The rest of the cast also give fine performances including the always gorgeous Nathalie Delon, but as predicted in this quickie, name-brand co-stars Mel Ferrer (who at least dubs his own voice on English prints) and Eurotrash sex kitten Dagmar Lassander are rationed out rather frugally. As the self-proclaimed real brains behind the operation, the former hides behind the trappings of respectability, but makes no moral distinctions when it comes to his interests, especially in this world that seems to be constantly moving in cagey circles.
Overall, everything is handled convincingly enough, but it does spend a little too much time on Merli’s and Delon’s burgeoning romance. At one point, our smitten couple observe the title scavenging shithawks (“They’re always looking for something more to eat, and this sea of garbage is their only happiness”), which is subsequently followed by one of the film’s low points: a bout of tender lovemaking in a cheap motel, which is mercifully short and hilariously intercut alongside Isabelle’s panting dog! Shrewder pacing would have been a plus, but the film’s gritty tone aptly conveys the dog-eat-dog existence of the criminal world, adding plenty of authenticity.
A real obscurity, SEAGULLS FLY LOW did appear on Italian and German VHS videocassettes in the eighties but for English speaking viewers, the Greek videotape from Video Alsen was the only worthwhile edition, that is, if you could find it. Like most Greek tapes, it was annoyingly cropped and the picture quality was average at best, but it was in English, and that was all that really mattered. Never issued on DVD, Cineploit’s new Region B Blu-ray is a very welcome release of this once-difficult-to-see film, which looks fantastic. Film textures look authentic with lots of shadowy detail, realistic colours and some nice depth, although a few interior scenes appear a little less crisp, which may be true of Gino Santini’s original photography. The DTS-HD 2.0 audio includes tracks in German, Italian and English, with the Italian and German ones sounding the strongest (which also includes accurately translated subtitles). The very welcome English audio is occasionally hissy and not quite as robust, but honestly, this isn’t much of a distraction at all.
Given the film’s rarity, Cineploit have included several very worthwhile extras beginning with Maurizio Merli: A Lethal Hunter of Subtle Variation (29m), a terrific look at Merli’s less-talked about Eurocrime roles with tough-guy film expert Mike Malloy. He discusses Merli’s numerous attempts to “branch out” beginning with Stelvio Massi’s HIGHWAY RACER (1977) right on through to Gianni Siragusa’s VULTURES OVER THE CITY (1980), and freely admits that many of these roles are “only minor variations of the same tough-guy mold.” It’s a wonderfully produced featurette with a keen eye for detail, which not only showcases some terrific promotional material, but is a perfect primer for anyone looking to broaden their appreciation into some of the more obscure Eurocrime films that are beginning to surface on disc. Other extras include alternate German and English opening credit sequences (2m22s) sourced from VHS, a brief poster and vidart gallery (25s) and the film’s exceptional soundtrack (57m01s) as composed by Roberto Pregadio and Carlo Cristallini. As with all of Cineploit’s releases, it’s beautifully packaged in a slick mediabook (available in four different cover variations at the following links: cover A, cover B, cover C, and cover D), which also includes a nicely illustrated liner notes booklet with writing by Udo Rotenberg, and with English translations by Matt Thompson.
Even if the film lacks the true visceral punch and driving tabloid dynamism of Maurizio Merli’s other, more infamous Eurocrime films such as Umberto Lenzi’s THE TOUGH ONES (1976), SEAGULLS FLY LOW remains engaging nonetheless, especially via Cineploit’s superb new Blu-ray.
